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BACK/TONE knobs are set to the center position Display Custom LCD (with backlit) Controls ON/OFF Pedal, MEMORY/TAP Pedal, DELAY TIME Knob, E.LEVEL Knob, F. +4 dBu (AMPLIFIER SEND/RETURN) Output Impedance 1 k ohms (OUTPUT A (MONO), B)ģ3 ohms (PHONES) Recommended Load Impedance 10 k ohms Residual Noise Level -93 dBu or less (IHF-A typ.) +4 dBu (AMPLIFIER SEND/RETURN) Input Impedance 1 M ohms Nominal Output Level -20 dBu (GUITAR/BASS) This is a pedal no guitarist should be without! Nominal Input Level -20 dBu (GUITAR/BASS) Twist creates wild delay effects similar to “over the top” manipulation of an analog tape echo, while Smooth creates ultra-smooth delay effects.
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The DD-20 also introduces two all-new delay effects that are sure to blow some minds. A new Memory function makes it possible to change delay modes New “Smooth” and “Twist” Modes Eleven delay modes are provided covering everything from analog and tape delay to reverse delay and more. Delay time can be adjusted via tap tempo or using a knob, which also features a push function to set the delay range more quickly. Either way, I hope this helps you in your quest for an ultra-portable electronic setup.With up to 23 seconds of delay, the DD-20 easily outshines the competition and can even double as a sound-on-sound pedal. I find it easier to play with the ‘less is more’ concept. I have found that I like to play the Octapad without them, and prefer having less to setup. I should also mention that since writing these instructions, I have removed the hi-hat and cymbal pads from my setup. It will make your SPD-30 sound better than the $8000 Roland TD-20. This allows for the hardware and pads to go on top without damaging the SPD-30.Īs I have stated before, the SPD-30 acoustic drum sounds leave a lot to be desired, so you may want to look into picking up a drum sampling plugin such as Toontrack’s Superior Drummer 2.0. Then, another piece of foam goes on top of the SPD-30 with a small cutout in the centre to let the mount poke through. The SPD-30 goes in first, face-down with the mount sticking up. I put high density foam on the bottom of the bag. This entire setup fits inside a Protection Racket 28″ Hardware bag. Then, I mounted the CY-5(hi-hat) and/or CY-8(crash) using all-purpose multi clamps mounted onto to the top section of a spare cymbal stand I had lying around. I mount the PD-85 underneath the Octapad with this Gibraltar tom mount: The Roland stand comes with the mounting plate though, so you may want to figure out which is best for you. This saves you from having to buy the over-priced Roland stand: You just remove the top tier from the existing cymbal stand and the UX-80s should fit in its place. The UX-80s fit perfectly inside one of my existing cymbal stands. …you can use the Pearl UX-80s to mount the Octapad. If you already have the following mounting plate: So, I have put together the following instructions to show you how I have mounted the SPD-30 with hi-hat and cymbal pads to help you form ideas for your own setups. Nearly every week I get emails with questions regarding the ultra-portable Roland Octapad SPD-30 setup that I use.